34 x 13.5 inches. Ortuzar Viewing Room, 23 East 67th Street, 3rd Floor, New York, New York 10065, 9 White Street New York NY 10013 Tel +1 212‑257‑0033 info@ortuzarprojects.com. I wasn’t comfortable in the beginning. Ortuzar Projects, 9 White Street, New York, New York 10013 A former landlord had convinced me to move from an 11th Street unit to another one in a nine floor walk-up, with an offer of a basement space with an additional top floor, which nobody wanted. Courtesy the artist and Cheim & Read, New York. Monprint 1a. How many hours of creative work do you think you do in a day? Lynda Benglis made several video pieces in the 1970s, when she was working at the University of Rochester and could use the school's equipment. I grew up listening to Greek music with my grandmother, as well as Johnny Cash, which I still think about. By exploring the circuitous relationship between the … The Bonn section—curated by Cotton, head of Artistic Programmes and Content at Mudam, Luxembourg—includes work by Lynda Benglis, Judith Bernstein, Alexandra Bircken, Patricia L. Boyd, Jana Euler, Hal Fischer, Eunice Golden, Richard Hawkins, Jenny Holzer, Hudinilson Jr., Allison Katz, Mahmoud Khaled, Hilary Lloyd, Sarah Lucas, Robert Morris, D’Ette Nogle, Puppies … Photograph: Henry Groskinsky/Lynda Benglis. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Also, Sol LeWitt had introduced me to Dorothy and Herb Vogel, who collected my work early on. Benglis has fitted her adobe workspace with large wooden doors that she imported from a former convent in her home state, Louisiana. Benglis starts each day in New Mexico by watching the sky and feeding the birds around her studio. Lozenge-shaped wax paintings are juxtaposed with the colorful latex and polyurethane pours for which Benglis became known at Cheim & Read on East 67th Street. An urge to make things has always been evident. She is the recipient of a Guggenheim Fellowship and two National Endowment for the Arts grants, among others. Lynda Benglis, Pink Lady (For Asha), 2013. Lynda Benglis is an artist based in New York, USA, East Hampton, USA, Santa Fe, USA, Walla Walla, USA, Ahmedabad, India, and Kastellorizo, Greece. If so, who? The series was the subject of a solo show at The Clocktower in New York (1973–74), where they were lit by a string of flashing colored lights. Memory is as important to the work of Lynda Benglis as any of her artistic materials, including the globular polyurethane foam and wax for which she is perhaps best known. Cast pigmented polyurethane , 95 x 30 x 27 in (241.3 x 76.2 x 68.5 cm). Later, I sold it for $50 because I needed money to leave New Orleans. What’s your work schedule? Her studio, a cluster of small earth-toned adobe structures connected by a network of flagstone paths, which she has occupied since 1997, offers sweeping views of the high desert and the space to create dramatic large-scale works, such as her recent sculpture “Elephant: First Foot Forward” (2018), a ragged five-foot-wide knot of white bronze that resembles a torn tire. Ortuzar Projects and Cheim & Read are pleased to present Lynda Benglis: Early Work 1967-1979. Inspired by the ‘shocking colours’ of Chinatown … Benglis at work in 1969. Also on view is Untitled (Totem), 1972, a slender sculpture with a glittered surface that stretches over eight feet. The artist Lynda Benglis photographed at her studio outside Santa Fe, New Mexico.Credit...Dustin Aksland. Monoprint 1. My garden. Now. What music do you play when you’re making art? People thought I could be a logician, as it seemed I could argue anything, anytime if I throw out ideas into the space through art. Shown alongside collected ephemera from the era is Smile, 1974, a bronze cast of the double-headed dildo that Benglis brandished in her Artforum ad that year, notoriously defying conventions of gender, propriety and genre. If you have windows, what do they look out on? The artist Lynda Benglis photographed at her studio outside Santa Fe, New Mexico. Lynda Benglis (b. Across three spaces in uptown and downtown Manhattan, this major exhibition includes significant work from the artist’s first decade in the city that proved crucial to the development of her practice. Throughout her career, Benglis has made a concerted effort to push against any definition and to resist categorisation. I am not interested in going backward, so I wait for new ideas to appear. Produced between 2013 and 2018, Lynda Benglis’s wall sculptures are made from handmade paper that the artist … Sparkle and metallized knot sculptures, including the multi-part installation North, South, East, West, 1976 – last shown in New York at a 1981 Whitney Museum exhibition – are on view at Ortuzar Projects on White Street in Tribeca. Her work is in the permanent collections of public institutions including the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; the Guggenheim Museum, New York; the Whitney Museum of American Art, New York; the Los Angeles County Museum of Art; the San Francisco Museum of Modern Art; the Walker Art Center, Minneapolis; the Art Institute of Chicago; the National Gallery of Art, Washington, D.C.; and Tate, London. For over six decades, Benglis has consistently challenged artistic conventions to produce an oeuvre that is unrivalled in its … It was a black-and-white painting sold to a collector from Washington state for around $400. Xavier Hufkens is delighted to present American artist Lynda Benglis’ (b. Lydia Benglis, Merak, Sinc and Copper, 1990 and Ghost Dance, Bronze and gold leaf, 1992 Lynda Benglis (born October 25, 1941) is an American sculptor known for her wax paintings and poured latex sculptures. ... Site Design By M Studio-+ Recent solo presentations include Lynda Benglis: In the Realm of the Senses, Museum of Cycladic Art, Athens, presented by NEON (2019–20); Face Off, Kistefos-Museet, Jevnaker (2018); Lynda Benglis, The Hepworth Wakefield, Yorkshire (2015); and Lynda Benglis, Van Abbe Museum, Eindhoven, Irish Museum of Modern Art, Dublin, Le Consortium, Dijon, RISD Museum, Providence, the New Museum, New York, and the Museum of Contemporary Art, Los Angeles (2009–11). The artist Lynda Benglis photographed at her studio outside Santa Fe, New Mexico. Lynda Benglis is an American artist best known for her use of poured sculptural forms made from wax, latex, metal, and foam. Lynda Benglis. What’s the weirdest object in your studio? Landmarks, the public art program of The University of Texas at Austin, exhibited Now (1973) and archived an essay dedicated to Benglis … This interview has been condensed and edited. A pioneer of free-form sculpture, she radically pushed the medium in the late 1960s with her metaphorical and biomorphic abstract works. Benglis named some knots after the U.S. military phonetic alphabet – Alpha I, 1973–74, Bravo, 1973-74, Charlie, 1973 – and others after letters in the Greek alphabet, which a few also visually recall. Having no proper heat led to my wax works, because I would need a heat source to melt the material. Benglis later began to finish her knot sculptures in aerosolized metals including zinc, tin, steel, and copper. Lynda Benglis, Tu-Lip, 1967, Purified and pigmented beeswax, damar resin, and gesso on masonite and wood, 30 1/8 x 5 1/4 x 1 3/4 inches. I found a secondhand plug-in heater and bought some Elmer’s glue and clamps. Lynda Benglis (b. What’s the first piece of art you ever made? Currently she lives and works between New York, Santa Fe, Greece, and India. The artist has spent much of the past year in New Mexico finding inspiration for her coming show at Pace Gallery in Palo Alto, Calif. A series of Benglis’s shimmery paper and chickenwire sculptures line the wall of her workspace. Otherwise, I have no reason to work again. Various works are shown in Benglis’s studio on the property including The Manu (2008) which she created by manipulating a beeswax mixture and then making stainless steel casts of the resulting forms. Her mother was the daughter of a preacher from Mississippi. LYNDA BENGLIS: My name is Lynda Benglis. Now, at 77, Benglis is more prolific than ever: After her show at Pace, she will open the exhibition “In the Realm of Senses” at the Museum of Cycladic Art in November, with 30 works selected by the art historian David Anfam, and next May, the Nasher Sculpture Center in Dallas will hold a major solo exhibition dedicated to her groundbreaking work in sculpture. The long sculptural limbs also reference the figure, while their interlacing creates a distinct interior and exterior, and often, a recognizable knob-like form. 2014 Lynda Benglis, Cheim & Read, New York. What’s the first work you ever sold? Although Lynda Benglis: Water Sources (Storm King Art Center, May 16–November 8, 2015) centered around a selection of her fountains, all of the featured works highlighted the notion of fluidity, with its implicit sense of ebb and flow, a dynamic that applies as much to cultural epochs as to the natural world. Benglis developed knot sculptures in the early 1970s. One of the classes I enjoyed the most at school was logic. Mixografía® print handcolored by the artist. Biography of Lynda Benglis Childhood. Even back then, I was interested in making objects that move in space. Pouring material directly onto the floor of a studio, gallery, or exhibition space, Benglis channels the artistic process of Jackson Pollock. You don’t have to eat; you can just look at them! Is there a meal you eat on repeat when you’re working? “Lynda Benglis” is on view from August 21 through October 23, 2019, at Pace Gallery, 229 Hamilton Avenue, Palo Alto, Calif. Lynda Benglis Redefined Sculpture in the ’60s. Ortuzar Projects and Cheim & Read are pleased to present Lynda Benglis: Early Work 1967-1979.Across three spaces in uptown and downtown Manhattan, this major exhibition includes significant work from the artist’s first decade in the city that proved crucial to the development of her practice. “Or break them.” She spoke to Studio International at the opening of her exhibition. Sparkle knots – including Eta, 1972 – are superficially treated with glitter and acrylic paint, invoking the flamboyant effect of masquerade. The artist’s coming exhibition at Pace Gallery in Palo Alto, Calif., which will open on August 21, includes work from four decades of her career, ranging from the curving tubular “sparkle paper” sculptures she has produced since 2013 — brightly colored totems created from handmade paper draped around amorphous chicken-wire forms — to “Eat Meat,” a fleshy human-size blob of poured-polyurethane foam that Benglis first fashioned in 1969 and recast in aluminum in 2012. Her work is the subject of forthcoming exhibitions at the National Gallery of Art, Washington, D.C. (2020–21) and the Nasher Sculpture Center, Dallas (2021). After earning a BFA from Newcomb College in 1964, Benglis moved to New York, where she lives and works today. October 8–December 3, 2020. My mind is always working with ideas but sometimes they pop and quickly disappear. What is your day like? Art is about tricks of illusion and space. Benglis (b. in 1941, Lake Charles, Louisiana) was the first artist to make sculptures out of paint, removing the barrier between traditional painting and sculpting. Jun 14, 2014 - Explore Debbie Michaels's board "Lynda Benglis" on Pinterest. Made in a similar process, although preceding the knots, its rigid form was never twisted. On a late July morning, as she prepared to travel to Palo Alto, Benglis sat down to answer T’s Artist’s Questionnaire. Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. 'In the Realm of the Senses', her exhibition at the Museum of Cycladic Art, Athens, Greece, commissioned by … Each piece in the show is laced with memory. Not at my studio, but I have a wonderful African carved wood ram. A book of recipes called “Barefoot in Paris.” I like looking at cooking photos for entertainment. My beginning studio was heaven, an East Village basement with no heat. When did you first feel comfortable saying you’re a professional artist? Inquire; Color Exhoes, 2000. Her highly liquid process often yields beautiful yet shocking results which, as art historian and critic Julia Bryan-Wilson writes, refuse “to be constrained by conventional codes around the ostensibly discrete genres of painting and sculpture.” This joint exhibition marks the first survey of Benglis’s early work in New York since her mid-career retrospective (2009–11), which traveled to the New Museum. Photo: Timothy Doyon, Courtesy of Ortuzar Projects, LYNDA BENGLIS: EARLY WORK 1967–1979 Each begins from a tube of wire screen, cotton bunting, and gesso that is looped around itself and tied; actions which register a bodily gesture, coded in a precise configuration. A retrospective of her work is being shown … The gold piece that’s here, Ghost Dance/Pedmarks, done in 1998, is a piece that I began working actually as a form in clay, a kind of torso form, and I thought of the torso itself as a very classical feminine and male form, a figure.The figure often even came off the ground or off the wall. I should add that I consider anywhere I create my studio. “I think artists create their own rules,” she says. DACS, London/VAGA, New York. “Lynda Benglis” is on view from August 21 through October 23, 2019, at Pace Gallery, 229 Hamilton Avenue, Palo Alto, Calif. Advertisement Continue reading the main story The artist casts many of her sculptures at a foundry in Walla Walla, Wash., after creating the forms in her studio. How do you know when you land on a plane? See more ideas about process art, art, sculpture art. 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