EARLY PROSE WRITINGS . Drop any query, suggestion or comment here. John Ruskin (1819-1900) occupe une place importante et singulière dans l'Angleterre du XIXe siècle. The sentences contain 200 words or more, 250, nay 280 words without a single pause—each sentence with 40, 59, 60 commas, colons and semi-colons and yet the whole symphony flows on with such just modulation, the images melt so naturally into each other, the harmony of tone and the ease of words are so complete that we hasten through the passage in a rapture of admiration. JOHN RUSKIN John Ruskin in 1863 Sarthak Kaushal SOAP KRMU 2. Rhythm is the principal weapon of Ruskin. English writer and critic, born in London, at Hunter Street, Brunswick Square, on the 8th of February 1819, being the only child of John James Ruskin and Margaret Cox. It lacks the good humoured laughter and agreeable nonsense of Lamb or Cowper. We should find out the remaining which are need but nobody done till now. Greatest Victorian art critic. Ruskin’s style exhibits the author’s wonderful descriptive power, unequalled anywhere else in English prose. The Biblical references and episodes are very useful when the common people who believe in the Bible, are addressed. Read More Drama It is an imitation of imitation. Newman (1801 – 1890), the greatest of the essayists involved in the famous ‘oxford Movement’ wrote of the necessity of the Roman catholic religion in the last few essays in the. Among other things, Ruskin argued vehemently in his writings against the use of steel for architectural purposes. In the earlier writings of Ruskin, we find an ornamental, gorg­eous prose. He is speaking and we are listening. Ruskin occupies a prominent place in the history of English prose. Website: In Platos’ view, a work of art is no more than an imitation of imitation. Thoughts are not developed by the author in a steady order and hence we notice an inherent diffusive­ness in his style. It is genial, sweet and tolerant like Chaucer’s and Addison’s. It is ever didactic. VICTORIAN PROSE WITH SPECIAL REFERENCE TO JOHN RUSKIN, THOMAS CARLYLE, MATTHEW ARNOLD AND NEWMAN Victorian prose, though chronologically coterminous with and sometimes even overlapping the era of Romantic prose, marks a distinct break both thematically and stylistically. INTRODUCTION Born 8 February 1819 Died 20 January 1900 (aged 80) Occupation Writer, art critic, draughtsman, water colourist, social thinker, philanthropist Citizenship English Period Victorian era Notable works Modern Painters 5 vols. He stands now as a supreme master of the English tongue. To him, for instance, the idea of Rich and Poor was almost inseparable from Dives and Lazarus. His main aim is to uplift his audience be- yond the cruelty and social injustice of his time to loftier vistas of perception and ethics. By the following April, the book was finished. “According to him it is easier to acquire a reading knowledge of a language than to acquire a speaking. “You knock a man into a ditch and then you tell him to remain content in the position in which providence has placed him. He is rich in the power of illustration. It stood as a reaction against the Direct Method. Living in an age, when grand style was popular, he made his contribution to English prose without indulging in “Lylyan antitheses and similes or Johnsonian parellelism and balance.” In the words of, , “It is a type of clearness, wit, eloquence, versatility and passion.” It can be simple, and sublime, complex and grand, persuasive, expository, sarcastic or ironical. John Ruskin’s masterly prose begins by deploring the onset of the industrial revolu-tion and the malignance of free-enterprise. Dr. West approached the problem of teaching English not from the standpoint of pedagogy, but from the standpoint of social needs of the Indian people. Ruskin is biassed towards the Biblical language and scriptural allusions and, phrases. There is no scope for vagueness. After Carlyle the next great Victorian non-fictional prose writer is John Ruskin who wrote remarkably on art and the social and economic questions of his time in a style that was delicate, graceful and almost lyrical. A. profnaeem@outlook.com ’s work for achieving perfection in their style but this advice does not hold good in the case of Ruskin. "Dear Readers/ Students, I am a huge fan of books, English Grammar & Literature. ( Log Out /  John Ruskin and Oscar Wilde were among the many at Oxford University who adopted Idealism as a philosophical position in the 1870s. Of art is no more than an imitation of imitation extensive research and on... The defeats in contemporary life, he makes use of too many Biblical make. 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